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Some Mistakes When Hanging Art

Some Mistakes when Hanging Art

Art should be hung where you can enjoy it. But there should also a little planning so it is compatible with the room’s surroundings and decor. And have a visual balance with the edges of the walls, size of the room, color and subject matter. I came across some real life and some virtual examples that you might consider when hanging up that picture. My OCD really kicks in with some of these!

Tips for Hanging Framed Art

Tips for Hanging Framed Art

You have spent a considerable amount of time and money getting your art framed. To enjoy itYou have spent a considerable amount of time and money getting your art framed. To enjoy itto its full potential, here are some tips to consider when hanging art:

Your husband is tall. You are short. He always hangs the pictures. He eyeballs the generalYour husband is tall. You are short. He always hangs the pictures. He eyeballs the generalarea, makes a mark on the wall and bang! There goes the nail. OR, he is the gadget guy whogets out the laser level and digitally measures the space until the art is scientifically placed. Buteither way, the pictures are always too high.

The Sky Is Not Blue

One of the hardest things to accept when we are creating is that it really isn’t up to us. We get an idea, then the Ego takes over and either tells us that this is going to make us famous, and we will sell it for tons of money….OR it says are you nuts? You can’t make that!! No one will get it! When you are creating, there are no rules, even though you have been taught that there are. Oh sure there are rules about dimension, perspective, composition, and you can put those next to your idea and develop that. But what about the Creative saying I have to get this out. The Creative didn’t know about the rules. It said I have to get this out, and you had a list of rules. Uh oh.

The sky is not blue. Trees trunks are not brown. Shadows are not black. Clouds are not white. The grass is not green. And ( according to Manet, Dega, and impressionist artists) there are NO lines in the universe.

Here is proof of this idea that you can try for one week. Every morning, or every evening, at the very same time every day, go to a favorite spot outside and take a photo of the scene. Preferably a sunrise or sunset will have the best results. After one week, print out the photos you had and place them next to each other. I am really lucky because I live on a beautiful lake, and every evening I get a new painting. Look at your photos and see how every day, every thing was different.

If you applied that to your art, wouldn’t that be much more interesting? In one of my classes, the student wanted to paint her black cat. Of course, left on her own, she would have started out with black paint, and become more and more frustrated when the painting ended up being a black blob on her canvas. Nothing can save you when you start out with the end result. So I challenged her and said she could do that but she absolutely could not use any black paint at all. The end result was incredible! A “black cat” made up of purples, blues, yellows, reds etc.

Pretty cool.

Tell your Creative that you will glance at the Rules, but they are over there. Then let the Creative have some fun with it.

Paint What Is Within You

I am following up the previous blog about painting parties. I taught a few of these kind of classes. For the Creative, they can be very exhilarating and very frustrating. And really enlightening! But for the most part, I like it when the people leave the class with a sense of accomplishment, a feeling that they DID something, created something.

I had a class where the theme was Halloween. I had made a painting within that theme, of a dark sky, full moon, a witch and her broomstick, a black cat on the fence, pumpkins, the works. I would walk the class thru the beginnings and then leave it up to them to use what they would like in their painting. They can copy mine, or use it for reference.

A few students were self conscious, having “never painted before”. One student started to mix her colors and didn’t know when to stop mixing. Her colors became more gray. Some pink. Lavender. Yellow. What was going on? The more she added another color, the more her painting took on a life of its own. She became upset that this whole Halloween thing was not happening. She was so far away from dark and mysterious. She became frustrated, and a little angry that she “sucked at this”.

But I could see what was happening. Now I just had to convince her. Her Creative was saying “I’m not really into this dark thing. I need to be this. And this is how it’s going down!” I suggested she abandon the competitive idea that it had to be Halloween, and allow this to evolve. Her Creative wanted to say something. Now. Today.

What emerged was a beautiful, soft, slightly abstract painting of the sun over a lake landscape. The sun was yellow with hints of pink and lavender. The sky was streaks of soft oranges, yellows, blues and grays. A little tweaking and the water on the lake became really believable. It was so nice to witness the Ego being trumped by the Creative ( more in another blog about this). Her Ego was ranting, shaking its fists, jumping up and down saying You have to be LIKE THEM!!! Her Creative stayed the course and got her way.

Oh, yes. We framed it.

What Painting Parties Really Do for You

There seems to be a trend of these painting classes, where one can bring a lot of friends, a few bottles of wine, and paint in a festive atmosphere. Terrific idea for camaraderie, and even discovering a hidden talent. But I have one criticism.

In the effort of marketing, business, making money---whatever---these endeavours rob the participant of INDIVIDUALISM. In the end, the pictures that are taken of the group and their final product, every single picture is the SAME. The sky is blue, the clouds are white, and the knockoff Van Gogh is futile. This cookie cutter approach to art may make the business a few dollars, but to what avail?

To me it seems kind of insulting. Even condescending. If one has already planned to attend this kind of event, it seems then that they want to learn something about painting. Sure, mindless instruction is fine, but there is no effort and therefore no result that the individual can be proud of. They take their painting home, and most likely throw it away. The person most likely thinks “That was fun. But I stink as an artist. I’m really bad.”

That is so sad. The creative in that person quits right there. I have taught quite a few of these classes. However, I take another approach. Bring a photo of what YOU like. Your pet, a flower, a landscape scene. And the realize that whatever comes out of your brush is YOU! Start with something you want to learn about. Then I can help you get there. Now it may not be the perfect artist that you envision at first. Yes, maybe you have to peel back some layers to get “really good”. Realizing your  contribution to the Creative Universe is an involved journey, but it’s okay if you don’t want to travel it all at once. Just realize that you are an individual and we don't need cookie cutter art. What we need is what YOU have to offer.

Have a Collection? Frame it!

That's a lot of flies!  Collection of antique hand threaded fisherman flies.

Endurance Riding Awards

Winner of the Pan American Silver Medal in Endurance Riding, and a collection of her career medals.

Materials for Art Journals

There are so many ways to journal your inspirations.  So here I made a list of suggestions and supplies that have been tried and are favorites.  One can get really bogged down with the amount of “things” you can get.  It can be overwhelming, and kind of exciting.  You have all these ideas and then just don’t know where to start. This article is for the basics that you need to begin. In the next article, I will go over some really neat supplies to advance you in your creativity.

 The first thing you need is a good sketchbook.  I like the wirebound, multi media paper.  Or a good watercolor sketchbook is good too, because of the weight of the paper.  You are going to be using inks, paints, collage, and mediums ( will explain that later), and you need a book that will support those.  Get a sketchbook that is about 8 x 10.  This is a good size to start.  Smaller books are good for travel or carrying around every day and sketching thoughts.  Larger books can get to be overwhelming if you are new to this.  

Now you have to be able to prepare the pages.  While you can paint, write, collage right on the page, sometimes you need to give the paper a little help.  Gesso will become your best friend.  There are so many ways to apply this product, and it never gets stale.  You can apply gesso to anything that you want to paint--boards, craftwoods, paper, matboard, furniture, anything you need to prepare the surface for you paint. You will also use it to glue pages together for a firmer surface to journal. Use a brush or old credit card, or you can cut up matboard.  Later we will learn how to add to gesso to make rough surfaces, textured preparations, etc.

The same goes for Mod Podge.  Get a jar. It never goes bad, and you will use it for all of your collage work. Part 2 article we can go over gel mediums ( there's that word again!) as a solution to your collages. You will apply Mod Podge with a brush.  I keep a brush that I don't use for anything else but Mod Podge.  It washes out with water.

Swimming Medals on Display

With an outstanding career in swimming for Lehigh Valley, the collection of all his medals presented a wonderful display.

Framing Your Memories

Upon her retirement as a schoolteacher, her sister presented her with the original key to her classroom from many years ago, with a little artwork and design by Little Conestoga Picture Framing!

Picture Framing 101

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